In the world premiere of D • I • E, Albert Oehlen's dynamic charcoal drawings are brought to life: they collide and grow into each other, they interact with the movements of the singers on stage. These effects are made possible by Gerriets' ultra-transparent 3D PROJECTION GAUZE, used by scenic designer Thomas Stammer.
"In a multiverse without direction, Thomas Stammer transforms thirteen drawings into time. The music moves these holographic sculptures restlessly from shape to shape. Fleetingly they meet the living bodies on stage. A journey without arrival, an art without categories and definitions – Wertmüller, Oehlen and Goetz are connected in this vision." (Excerpt of the Ruhr Triennial programme 2021)
Project details
eyelets at the top, pocket at the bottom, guide rope at
the side
Composition
Artwork
Text
Holographic music visualisation
Client
Locations
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